THE MARK IS A SOUND. THE MARK CONSISTS OF A C MAJOR SONG PLAYED IN A 4/4 METER - FOR A BAND OF 5 INSTRUMENTS, DRUMS, BASS, PERCUSSION, FLUTE SYNTH AND PIANO WITH SYNTH PIANO & SYNTH THE PIANO AND THE SYNTH PLAYS THE SAME FIGURE: STARTING WITH AN F MAJOR 7 TRIAD WITH G BASS (G-F-A-C-E) WITH THE DURATION OF A QUARTER NOTE IN THE FIRST AND THE THIRD BEATS OF BAR 1 THEN IN THE FIRST, THIRD AND FOURTH BEATS OF BAR 2, FOLLOWED BY AN F TRIAD (F-A-C) IN THE FIRST AND SECOND BEATS AND A C TRIAD (E-G-C) IN THE THIRD BEAT WITH THE DURATION OF A DOTTED EIGHTH NOTE AND A SIXTEENTH NOTE IN THE FOURTH BEAT OF BAR 3. FOLLOWED BY AN F TRIAD (F-A-C) IN THE FIRST AND SECOND BEATS AND A C TRIAD (E-G-C) IN THE THIRD BEAT OF BAR 4. FOLLOWED BY AN F TRIAD (F-A-C) WITH THE DURATION OF A QUARTER IN THE FIRST BEAT, A G TRIAD (G-B-D) WITH THE DURATION OF A QUARTER IN THE SECOND BEAT AND A C TRIAD (G-C-E) IN THE THIRD BEAT IN BAR 5. FOLLOWED BY AN F TRIAD (F-A-C) WITH THE DURATION OF A QUARTER IN THE FIRST BEAT, A G TRIAD (G-B-D) WITH THE DURATION OF A QUARTER IN THE SECOND BEAT AND A C TRIAD (G-C-E) WITH THE DURATION OF A QUARTER IN THE THIRD BEAT IN BAR 6. THEN, THE PIANO, THE SYNTH AND THE FLUTE SYNTH PLAY AN F TRIAD (F-A-C) WITH THE DURATION OF A QUARTER IN THE FIRST BEAT, A G TRIAD (G-B-D) WITH THE DURATION OF A QUARTER IN THE SECOND BEAT AND A C TRIAD (G-C-E) IN THE THIRD BEAT OF THE LAST BAR. TAMBOURINE THE TAMBOURINE BEGINS TO PLAY IN THE FOURTH BEAT OF THE SECOND BAR WITH A SIXTEENTH REST AND THREE SIXTEENTH NOTES, FOLLOWED BY A PATTERN COMPOSED BY AN EIGHTH NOTE IN THE FIRST BEAT, A SIXTEENTH REST AND THREE SIXTEENTH NOTES IN THE FOURTH BEAT, UNTIL THE END. CLAPS CLAPS ONLY PLAY FOR THE FIRST TWO BARS A PATTERN COMPOSED BY AN EIGHTH REST AND AN EIGHTH NOTE IN EACH BAR. DRUMS FOR THE FIRST AND SECOND BAR THE BASS DRUMS PLAYS QUARTER NOTES IN BEATS 1,2,3 AND 4 FROM BAR 3 IT PLAYS A PATTERN COMPOSED BY EIGHTH NOTES (THE BASS DRUM PLAYS THE FIRST EIGHTH NOTES AND THE SNARE DRUM PLAYS THE SECOND EIGHTH NOTES), STOPPING AT THE THIRD BEAT OF BAR 5 AND AT THE THIRD BEAT OF BAR 7 TO THE END. BASS THE BASS PLAYS THE FIRST TWO BARS: G3 QUARTER NOTE, G3 QUARTER NOTE, G3 EIGHTH NOTE, SIXTEENTH REST, G4 SIXTEENTH NOTE, SIXTEENTH REST, G4 DOTTED EIGHTH NOTE. FROM BAR 3, IT PLAYS F3 QUARTER NOTE, F3 EIGHTH NOTE, G3 EIGHTH NOTE, C4 DOTTED EIGHTH NOTE, C4 SIXTEENTH NOTE TIED TO C4 QUARTER NOTE, F3 QUARTER NOTE, F3 EIGHTH NOTE, G3 EIGHTH NOTE, C4 QUARTER NOTE AND A3 QUARTER NOTE IN BAR 4. F3 QUARTER NOTE, G3 QUARTER NOTE, A3 QUARTER NOTE AND QUARTER REST IN BAR 5, F3 QUARTER NOTE, F3 EIGHTH NOTE, G3 EIGHTH NOTE, C4 QUARTER NOTE AND A3 QUARTER NOTE IN BAR 6, AND F3 QUARTER NOTE, G3 QUARTER NOTE, C4 QUARTER NOTE AND A QUARTER REST IN THE LAST BAR. FLUTE SYNTH STARTS WITH AN EIGHTH REST FOLLOWED BY AN F5 MAJOR THIRD (F5-A5) EIGHTH NOTE, G5 MAJOR THIRD (G5-B5) EIGHTH NOTE, A5 MAJOR THIRD (A5-C6) EIGHTH NOTE, B5 MAJOR THIRD (B5-E6) DOTTED EIGHTH NOTE, C6 MAJOR THIRD (C6-E6) SIXTEENTH NOTE TIED TO C6 MAJOR THIRD (C6-E6) QUARTER NOTE IN BAR 1. FOLLOWED BY AN EIGHTH REST, D6 MAJOR THIRD (D6-F6) EIGHTH NOTE, E6 MAJOR THIRD (E6-G6) EIGHTH NOTE, F6 MAJOR THIRD (F6-A6) SIXTEENTH NOTE, G6 MAJOR THIRD (G6-B6) SIXTEENTH NOTE, SIXTEENTH REST AND G6 MAJOR THIRD (G6-B6) SIXTEENTH NOTE TIED TO G6 MAJOR THIRD (G6-B6) QUARTER NOTE IN THE LAST BAR.